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Biografia

  • Lata aktywności

    1992 – teraz (32 lata)

  • Założono w

    Boston, Suffolk County, Massachusetts, Stany Zjednoczone

  • Członkowie

    • Adam Deitch
    • Adam Smirnoff (1992 – teraz)
    • Eric Bloom (2011 – teraz)
    • Eric Krasno (1992 – teraz)
    • Erick Coomes (1992 – teraz)
    • Jeff Bhasker
    • Neal Evans (1992 – teraz)
    • Nigel Hall
    • Rashawn Ross
    • Ryan Zoidis (1992 – teraz)
    • Sam Kininger (1992 – teraz)

Lettuce, the seven-person all-star collective originally formed in 1992, returns to the funk jazz forefront with its third album, RAGE!, a hyper-charged outing of tunes that are equal parts artsy and party. The CD is a tantalizing tribute to funk music — paying homage to all stripes of funksters, including James Brown, Sly Stone, Herbie Hancock, Tower of Power, the Meters, Earth Wind & Fire, Parliament Funkadelics, J Dilla—music that reflects “our way of life,” says bassist Erick “E.D.” Coomes, who is joined in the groove onslaught by his co-ragers: keyboardist Neal Evans, saxophonists Sam Kininger and Ryan Zoidis, guitarists Eric Krasno and Adam “Shmeeans” Smirnoff, and drummer Adam Deitch.

Lettuce sprouted in the fertile environment of Berklee College of Music in Boston where all members met at a summer music program when they were in their teens. “I hate to sound cheesy, but I fully feel it was destiny that this band came together,” says Krasno. “We were all in the same place, all the same age. None of the friends I grew up with were into music like I was. Then I went to Berklee that summer, and all these guys were into music the way I was, and it happened that we were all playing the right instruments to put together a band.”

All the members brought to the group different funk-styled influences. For example, Krasno was into the new jazz funk of Herbie Hancock, Deitch was raised on Tower of Power and Earth Wind & Fire and introduced that sound through his compositions to the band. Zoidis recalls, “We all lived in the same dorm and we each brought music to the table that the others hadn’t heard before. There was an ensemble room downstairs that we began playing in.” Krasno adds, “We did a lot of jamming after we did a lot of listening.”

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